Can You Teach Creativity?

Breaking down the components of creativity so that we can begin integrating it into our instruction.

DR. ROBERTA LENGER KANG
Center Director, CPET

Some people have a true gift and talent for drawing, painting, sculpting, singing, acting or dancing. We sometimes mistake this talented artistry as creativity. This makes it seem like creativity is something you’re born with, not something you learn. But that’s a myth — there’s a big difference between artistry and creativity. Creativity is about developing the power to make something from nothing.

Our research-based framework for 21st century skills focuses on the creative mindset as one of five essential skills for the 21st century. Let’s face it, in a world where every piece of information is available to us within three clicks of a mouse or three swipes on a phone, finding facts is easy. The biggest needs we anticipate for future success is the ability to use information to innovate and solve complex problems. That takes creativity. 

As educators, it’s our job to figure out how to teach creativity to our students. In order to teach towards creativity, we have to disavow the myth that creativity is an innate trait bestowed on only the few, and begin breaking down its component parts so that we can integrate it into our instruction. 

We’ve defined creativity as the capacity for students to cultivate their curiosity by questioning or imagining in order to contribute positive improvements or inventions to their world. We’ve identified four skills that work together to cultivate creativity: imagining, questioning, simulating, and appreciating ambiguity. 

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Imagining

A vivid imagination is part of childhood development that is sparked around toddlerhood, as children learn about the world through play and pretend. To pretend that something is true, when it isn’t, for the purpose of exploration and understanding (as opposed to deceit — which would be lying, or as a joke — which could be satire). We've outlined three simple entry points to incorporate imagining into instruction: 
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• Students will practice imagining the experiences of others 
• Students will practice imagining a situation that is different than their own 
• Students will practice imagining a process or procedure 

These are not the only entry points, but they should be accessible to us at multiple levels of instruction, and across different content areas.

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Questioning

Like imagining, questioning is also a normal part of human development that emerges as early as some children can talk (the classic, “why, why, why, why?”) and often lasts through early elementary school. Once in school, this skill often atrophies as traditional methods of teaching are structured such that the teacher asks the questions and the students answer, rather than having the students ask questions and work together to explore possible answers. Asking questions is a key factor of curiosity, and curiosity is a key level towards creativity and problem solving. Let's look at three entry points for supporting students to being asking questions, rather than simply answering them: 
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• Students will practice generating questions in response to new information or situations 
• Students will practice questioning assumptions by asking questions of questions 
• Students will practice posing clarifying, probing, and theoretical questions to deepen understanding 

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Simulating

Simulation or embodiments are powerful, physical ways to connect and internalize information though experiences. We will never know what it was really like to be on the Oregon Trail, or to fight in the American Revolution, or to live in a Hooverville during the Great Depression — but through simulated learning projects, we can approximate the experience to gain deeper insights. Whether we’re engaging in a short, impromptu learning activity, or a long term project, here are three entry points for simulating: 
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• Students will practice simulating real-life situations to increase understanding 
• Students will practice role-playing to develop empathy for people whose experiences are different than their own 
• Students will practice embodiment of people, concepts, emotions, or situations to deepen understanding 

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Appreciating ambiguity

Whether it’s nature or nurture, as human beings, we’re always looking for the right answer. And in school, we typically reward this kind of thinking. When students believe that there is one right answer, they may fall into the trap that being right is the goal of learning, when in fact, being right means we haven’t learned anything new at all. There is no absolute right answer in real life, and if we can shift our thinking from looking for the right answer, to looking for the possible answers, we shift the purpose of learning from something that is singular and narrow  to something that opens us up to new opportunities. Entry points toward appreciating ambiguity:
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• Students will practice exploring circumstances where there isn’t one single correct answer or response 
• Students will practice changing their mind or answer when new information is provided that disrupts previously held understanding 
• Students will practice exploring multiple pathways to solve a question or challenge 

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​When we regularly engage our students in lessons strategically designed to support imagining, questioning, simulating, and appreciating ambiguity, they become more and more connected to the topic, and more authentically curious about the process. Their imaginations are sparked with new ideas, innovative solutions, and new questions. Each of these traits works toward developing the mindset of creativity — resilient in the face of challenging circumstances, curious about the world, and confident that there isn’t any problem too big to tackle, or too simple to ignore.