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Three entry points for designing project-based, student-centered instruction.
With the amount of interruptions and disruptions to learning over the last few years, many schools and teachers are faced with the reality that their curricula and instruction may no longer be relevant or appropriate, given all of the learning that’s been missed. As a result, teachers are wondering how to best revive their curricula to make it more reflective and responsive to their students’ needs. Furthermore, they are concerned with how to best promote and maintain engagement of their students, and incorporate fun into their learning.
Project-based learning can be a powerful solution. Projects promote high levels of student engagement while also supporting the acquisition of academic skills and content knowledge, and also real-world, 21st century capacities and characteristics, including: critical thinking, collaboration, creativity, and caring. Project-based learning puts students at the center, and are often inspired by real-world, community-based issues that matter to students, providing safe spaces for them to engage in meaningful reflection, and share their unique perspectives with the world. How can we make our instruction more project-based? Where do we start? Many teachers I work with are eager and excited to transition to project-based learning, but struggle with knowing how to begin. Their excitement is often met with fear and apprehension as they feel bound to a certain curricula or scope and sequence. Use the three considerations below to imagine the first steps you might take in creating more student-centered, project-based instruction.
Consider: Student voice and choice
One of the core principles of project-based learning is student choice. As teachers, we want to be thinking about where and how students can make decisions about their own learning. But this doesn’t have to be overwhelming — we can offer students choice within manageable parameters. A simple starting point can be to think about choice when it comes to topics, texts, or tasks. For example, if we know that students need to write a persuasive essay as one of our grade level or content area requirements, allow them choice in the topic they write about, or the texts they read as part of the process. Or, if we know that students need to read a certain text as part of a course, then allow them choice when it comes to the task of how they will share their learning (e.g. presentation, podcast, etc.).
Consider: An authentic audience
Another core principle of project-based learning is an authentic audience. Traditionally, the audience for student learning is the teacher, or maybe their peers. But how can we challenge this tradition and provide students with opportunities to write for a more real-world audience? The ability to communicate with specific audiences is an incredibly important skill, and something that will serve them beyond the classroom. When it comes to identifying an audience, we can use questions such as: “Who would benefit most from learning about this topic or reading this work?” Identifying an audience from the start, prior to launching into a unit, can support students in writing with this audience in mind, which should inform their tone, their language, and their vocabulary. But it doesn’t stop there — think about how your students can authentically connect with their audience, whether it’s through inviting them to a reading or celebration, posting their writing online, or even sending representations of their work in the mail.
Consider: A larger purpose
In line with thinking about an authentic audience, is connecting student efforts to a larger purpose. Most often, the purpose of student work is for a grade, or to pass a class. Projects, in contrast, have a deeper purpose that connects to the world outside the classroom, which can make them more meaningful and enjoyable for students. Whereas we might talk about the traditional purposes of student work as being to persuade, entertain or teach, identifying a more specific purpose can strengthen students' skills as writers and communicators. For example, a purpose could be to call someone to action to resolve a community issue, to share advice, or to challenge perspectives. Being more specific and deliberate with the purpose can help inform and inspire how students understand their efforts.
These three considerations reflect just some of the essential principles of project-based learning, and are a great place to start if you’re looking for manageable entry points to this type of work. These project elements can serve to inform extensions and/or revisions that you make to existing curricula, without it feeling overwhelming or impossible, and most importantly, help revive your curricula to make it more student-centered and student-driven.
In this episode
The word “data” can be a trigger for many educators. However, data that tracks student engagement and academic progress gives us a picture of what’s happening, so we can create what’s possible. We're joined in this episode by educators from Crosstown High School, a project-based learning school in Memphis, Tennessee, for a look at a non-traditional approach to collecting and understanding student data.
Final thoughts
What is a common misconception about the use of data in project-based learning schools that you wish more people understood?
In this episode
Project-based learning (PBL) has been credited with revitalizing education for students, creating opportunities for them to use real-world scenarios, challenges, and problems to gain crucial skills that support their intellectual and emotional development. What role can professional development organizations play in supporting schools with this type of teaching and learning? Final thoughts What role can educational organizations play in supporting schools with project-based learning?
In this episode
Project-based learning isn’t just a vocabulary term or a buzzword — it’s a way of approaching the entire process of teaching and learning. In this episode, we speak with Dr. Liza Bearman, who serves as the Director of the Wildwood Institute for Social Leadership at Wildwood School in Los Angeles, CA, about how students at Wildwood (referred to as members) develop and execute real life projects in response to community needs.
Final thoughts
What advice would you offer to a teacher or school leader who is looking to introduce project-based learning to their students?
In this episode
Project-based learning embraces the belief that students must cultivate their own knowledge, and helps make learning sticky through real-world experiences, personal reflection, and peer-to-peer collaboration. We're joined by New York City teachers — from the Charter High School for Architecture, Engineering, and Construction Industries and the Urban Assembly School for Collaborative Healthcare — who share their expertise and experience with making projects practical in classrooms.
Final thoughts
What is one bit of advice we can offer to educators who might be implementing this work for the first time?
One school's success with unpacking the COVID crisis through project-based learning.
Educators are our superheroes, not because they can swoop in and solve all the big problems, but because they create spaces for students to explore and discuss real issues and pose real solutions. When we offer students the opportunity to engage deeply in meaningful, relevant problems, we can build student confidence and offer them agency over potentially frightening issues.
When our society seems rife with complex problems, it’s the perfect time to introduce problem-based projects. But before we look at an example of a problem-based project, let’s look to the roots of project-based learning to deepen our understanding of its principles. Problem-based learning can be linked to R. C. Snyder’s “Hope Theory” which promotes agency and hope — crucial concepts, especially for our students during a time of societal upheaval. The positive psychology behind “Hope Theory” is: “simply put, hopeful thought reflects the belief that one can find pathways to desired goals and become motivated to use those pathways.” Of course, this speaks to one of the goals of problem-based learning for students, which is to develop, practice, and apply key skills to real-world issues. When we get more ambitious, these problem-based projects may even expand across disciplines and become interdisciplinary projects! Elementary school teachers often do a great job of working across subjects in their own classrooms, but for middle and high school, where subjects are generally taught discreetly by separate expert teachers, implementing projects across disciplines may seem more daunting. It can sound complicated, but as our classrooms increasingly shift to online learning spaces, classroom walls and clearly delineated class periods are no longer barriers, offering us opportunities to work more easily with our colleagues across classrooms and disciplines.
Implementing a schoolwide interdisciplinary project
As an instructional coach and teacher, I understand just how complicated planning for blended learning can be; however, I have been inspired by how educators have used the blended and remote learning spaces as an opportunity to innovate, develop, and implement projects. As we moved into remote learning during the early phases of the COVID-19 crisis, I was working as an instructional coach with the Academy for Computer Engineering and Innovation 2 (AECI2) as it started up its first/founding year as a high school in the Bronx. While the energetic, innovative teachers and principal always gave their all to the students, nobody envisioned that by the end of the school year, we would actually collaborate remotely to create and implement the Living History Project — a remote, school-wide interdisciplinary project that culminated in a call to action letter writing campaign and a community-wide presentation. As the initial months of online learning continued and COVID-19 began to seriously impact our community, we realized that our students needed productive ways to synthesize and make sense of what it meant to be living history. Recently, I met with two of AECI2’s lead teachers, who initiated and coordinated this interdisciplinary project — Chris Mastrocola, an AECI2 English teacher and the school’s technology expert, and Joyce Brandon, the 9th grade math teacher. They offered some valuable insights and tips into successfully developing and implementing interdisciplinary projects, which can be a helpful starting point for developing your own project. Please note that these steps do not need to be followed in order. Different starting points work better for different contexts and communities.
Collaboration & communication are key
To coordinate all pieces of an interdisciplinary project, Chris suggests establishing regular planning meetings, and making sure that one teacher from each discipline joins an interdisciplinary planning team to meet and work on the project. As our project progressed, weekly meetings focused on different topics relevant to each stage of the project. Regular meetings are not only important when first starting a project, but help keep it moving at each stage of the process. Based on our experiences, here are Chris’s suggestions:
Choosing a problem-based topic
How do we choose topics for projects? Do teachers or students drive that decision? Or, do project topics naturally reveal themselves? I’ve found that the most productive projects are those that arise as authentically as possible, driven by a current, complex societal problem. We generally know a topic is worth investigating when our students show an interest in it and are posing genuine questions about the issue. At AECI2, the challenges created by the COVID-19 pandemic and the necessity for coherent local and federal governmental responses were the problems that naturally drove and inspired our project. Students were concerned about the impact of COVID-19 on their own lives and the lives of others. Living in quarantine and practicing social distancing, they were raising questions with teachers about the impact of the disease, how to manage it societally, and also how to cure it. This pointed us to a natural focus for our project. Joyce reminds us that when choosing a topic to explore, we need to be aware of how the students may experience it. For example, at the time when the students started the Living History Project about the COVID-19 pandemic, they were living in a community with the highest numbers of cases and deaths from the disease in the United States. Joyce points out that when we are living among the numbers, we need to be sensitive to the trauma or hopelessness that students may be feeling. Moreover, when our students are members of a community that is disproportionately impacted by an issue, or has historically been marginalized, we want to make sure that the chosen topic or project isn't accentuating students’ sense of hopelessness or powerlessness. Rather, through research and knowledge-building and a call to action approach, we believe in the power of project-based learning as a way to offer students a sense of agency and empowerment.
Defining essential questions
Collectively, we developed essential questions about the problem of COVID-19 to drive our project. Grant Wiggins and Jay McTighe, the authors of Understanding by Design explain that essential questions are “not answerable with finality in a brief sentence.” Their aim is to stimulate thought, to provoke inquiry, and spark more questions. They are “broad, full of transfer possibilities” and “cause genuine and relevant inquiry into the big ideas and core content.” Essential questions can help the teacher maintain a focus on the goals of the unit or project, and also stimulate inquiry, discovery, and meaningful connections for students. Here are the Living History Project’s problem and essential questions that we developed: Essential question:
Guiding questions:
Project assignment prompt:
Student responses to each of these recommendations were informed by their explorations in social studies, math and science classes, and written in their ELA classes.
Defining project goals
A major goal of this project was for students to synthesize and apply their research and learning from math, science, and social studies into a coherent set of recommendations about how to address the COVID-19 crisis. We also wanted students to feel empowered and have some agency over an overwhelming situation that was affecting their own community and lives. As you work to establish your own project goals, consider which key standards will be assessed by the project. In this case, we knew that literacy across science, social studies, English, and even math all incorporate argument writing and skills. Each subject teacher identified the key standards addressed in the project.
Backwards planning to teach key skills
Chris and Joyce both attest to the importance of breaking the final assessment product into parts in order to create a plan and teach all necessary skills. Joyce quickly realized that in her Algebra classes, students needed to really be taught to read and analyze data in charts and graphs, and at the same time, they were learning these skills with a heightened sense of importance as they applied their findings to their recommendations for addressing the COVID crisis. Joyce also cautions that percentages are hard to understand — students, and many adults, can't really conceptualize such large numbers, such as the number of people testing positive for COVID, so she began to use comparisons and analogies that were more accessible to students. The English teachers at AECI2 recognized that students could use some instruction on letter writing, as well as time to revise and edit their letters. So, we decided that the students would organize, revise, and edit their final letters in their English lessons as a final phase of the project. In social studies, Brett Pastore reviewed a range of documents and images with students, highlighting epidemics throughout the ages, including the Black Plague and the 1918 influenza epidemic. From analysis of these documents, students made connections to the COVID-19 pandemic and drew conclusions about how to address the current situation. And in her Living Environment class, Samantha Cunningham developed a series of lessons for students to learn to analyze data about the health impacts of COVID-19. Finally, the project was handed to the school’s technology teacher who designed lessons to support students in the final phase of the project, as they formatted and uploaded their projects to Padlet.
Backwards planning for each subject
This project expanded across the disciplines as, together, teachers identified how students would complete components of the project in their classes as they worked toward their final product — the call to action letter. Teachers identified the key skills and steps for their subject areas, and developed a sequence of lessons through backwards planning from the final product. To incorporate the students’ investigations and learnings about the pandemic from across disciplines, we decided to ask each student to contribute a paragraph with specific recommendations, using data and evidence from each of their subjects — Algebra, Living Environment, and Global History. They would then craft and revise their letters in their English classes, applying all the components of argument writing that they had studied. Students also made connections between subjects — for example, in math, students referenced what they know about pandemics throughout history to make sense of questions such as do these numbers make sense?, and how are these data related to the data from earlier epidemics?
Outline a final assessment product
Our final product was a call to action letter, addressed to a politician and offering three recommendations on how to address the COVID-19 crisis. The final presentation was presented on Padlet. All students published their final project with the following components:
Plan for presentation/publication of the product
For this project, we relied on platforms that AECI2 teachers were already using — Google Docs for teachers’ planning, and Google Classroom for interacting with students. Building on familiar systems that are already in use is helpful for any project, especially one with this level of interdisciplinary collaboration. To present their work to teachers and peers, students first created a presentation using Google Slides, with a slide for each of the following components:
Students also included artwork and excerpts from their journal entries about the pandemic, and uploaded their final presentations to Padlet, where it could be shared with the school community for feedback and comments. At AECI2, we decided to use Padlet as our publication platform, since each student could easily add their own post to a school-wide wall, and other students could easily comment on it. With more time, we could have expanded this opportunity and supported students in filming their presentations using Screencast-o-matic or something similar, which would allow for more connection between members of the community.
Benefits of problem-based projects
Here are some of the benefits of problem-based projects that we encountered with our partners at AECI2:
Problems in society can drive authentic projects, providing students with relevant topics that can build their confidence, allowing them to feel they have more agency over potentially frightening issues, and offering them an opportunity to pose solutions to real issues that are impacting their communities.
Our experiences with planning and implementing AECI2’s Living History Project not only showed us the benefits of problem-based learning, but how exciting it is to work across disciplines. We were able to increase interdisciplinary collaboration and work free from traditional educational barriers, such as time and space, as all teaching and learning was happening remotely. In our new educational spheres, the constraints of in-person teaching no longer exist in the same way, providing a gateway for exciting and engaging work with our students. The opportunities are endless. 
Incorporate PBL into existing tasks and create engaging, meaningful opportunities for your students.
Project-based learning is a widely used term in education. Although many educators have a general understanding of what it means, it’s often met with uncertainty and apprehension.
A simple Google Search of “project-based learning” results in 10 pages of articles or blogs, written by various organizations, institutions, and individuals. For instance, cultofpedagogy describes project-based learning as a combination of standards, best practices of UBD (understanding by design), and formative assessments. ASCD describes a project as meaningful if it fulfills two criteria: that students "feel the work is personally meaningful, as a task that matters" and that the project fulfills a “meaningful purpose.” Edutopia describes project-based learning as learning that tells a story. Throughout my 15 years of teaching and coaching, I’ve seen varying interpretations and implementations of project-based learning myself, which have been further complicated by the move to remote and blended learning environments. For educators who are working with packaged curricula, it can be especially difficult to see the opportunities available for introducing PBL in classrooms. But focusing on the core components of this work can support us in establishing engaging, meaningful, and doable project-based learning experiences for our students.
Components of project-based learning
One of the most well-known and admired institutions when it comes to project-based learning is the Buck Institute. They offer what I think are very helpful criteria to inform what project-based learning can look like: 
In line with much of the graphic, our K-12 coaching team believes that projects are a wonderful way to help students cultivate 21st century skills, focus on a pressing topic or issue, develop their identity as readers and writers, and engage in a writing process that involves extensive feedback, revision, and reflection on their learning. We believe the pedagogy of project-based learning is about:
Now that we’ve laid out some of the basics, we can investigate what project-based learning might look like in action. The questions above can help inspire task revision and allow you to incorporate project-based learning into pre-packaged curricula, without starting from scratch.
Creating relevant, meaningful tasks
Recently, I partnered with a school in Brooklyn to support them as they designed and reimagined assessments for online learning. As an elementary school, they had adopted a packaged curricula for English Language Arts instruction. My goal was to help them make existing tasks and assessments more engaging and relevant for students, and support them in redesigning the tasks as they were written in order to infuse elements of project-based learning — without compromising rigor. We began with a first grade writing task that focused on persuasive reviews based on favorite places, foods, etc. To begin revising this task, we started by examining three important questions, informed and inspired by the Buck Institute:
We used these questions to guide our analysis and revision, referring back to the original task:
Turning the task into a project
Now that we have been able to identify the basic possibilities and challenges with this task, we can continue on to revision, and begin to shift our original task into a project. When it comes to developing authentic and meaningful projects, we like to turn to a promising practice called GRASPS. This stands for: G: What is the goal of the project? R : What is the role of the student? A: Who is the audience? S: What is the structure of the writing? P: What is the purpose? In conjunction with our earlier questions, the GRASPS framework is a helpful tool in redesigning tasks and ensures that our revisions are clear. In our example, the responses look something like this:
Equipped with these revisions, we can now more easily shift the original writing task to one that is project-based, and understand how we can introduce these ideas to students. This not only generates excitement for students, but teachers as well — our partners in Brooklyn were eager to plan and implement this project within their classrooms, and were excited about the additional possibilities for creativity.
What I hope is evident throughout this process is that project-based learning can have a variety of entry points — whether you’re teaching remotely or in-person, creating your own projects, or reimagining pre-packaged curricula. Regardless of your situation, recognizing how instruction can be meaningful, relevant, and doable — even with the current parameters of teaching and learning — is possible.
In this episode
Project-based learning encourages collaboration, critical thinking, and communication skills, and helps boost student engagement and ownership. But it can be complicated to balance student choice and agency with effective learning outcomes. Our K-12 coaching leaders are here to discuss the benefits and drawbacks of project-based learning, as well as practical ways to implement this work in classrooms.
Final thoughts
Given what we've learned about project-based learning, what is one bit of advice we have to offer educators who want to get started with this work?
Offer your students an opportunity to solve real world problems, demonstrate critical thinking skills, and collaborate with their peers.
BY LAURA RIGOLOSI & SHERRISH HOLLOMAN
Problems. There’s no shortage of them these days — the pandemic has spurred countless challenges and intense despair; there are too many to list. Teaching during the pandemic has been a challenge in and of itself, as we are always looking for ways for students to be engaged with curricula and drive their learning, and that’s hard to do whether we’re teaching in person or remotely. If you think back to your college or grad school days, you may recall the constructivist thinkers, such as Jean Piaget, who believed that students learn best when they construct their own learning. Problem- and project-based learning offers teachers an opportunity to do just that — instead of telling students the answers, you can create a learning environment in which students learn through discovery, thinking, tinkering, reflecting, and developing answers on their own. We may already be familiar with ways that we can bring this type of learning to in-person classrooms, but it can also be delivered to students who are learning in remote or blended environments.
Problem-based learning vs. project-based learning
Project-based learning is situated in real-life learning. The Buck Institute for Education defines project-based learning as a “teaching method in which students gain knowledge and skills by working for an extended period of time to investigate and respond to an authentic, engaging, and complex question, problem or challenge.” If you ever walk into a classroom and see students working on a project with an exciting buzz in the room, chances are, their teachers have designed a project-based learning task. In our own lives, we know that when working on a project, we often discover a problem we didn’t realize we had — but once it surfaces, it demands a solution. (Remember those early pandemic days when we were acclimating to teaching remotely, but also trying to solve the problem of having no dedicated teaching space at home?) In teaching, this idea rings true, too. As we are learning more about a topic, we may discover a problem alongside our students, and this is the breeding ground for an exciting new project. This is the foundation of problem-based learning. Problem-based learning also offers students real-life learning opportunities, as well as the chance “to think creatively and bring their knowledge to bear in unique ways” (2020 Schunk, p. 64). Problem-based learning can look differently depending on the content and grade level, but often includes group discussions that allow for multiple perspectives on a topic, a simulated situation that involves role playing, or group work that includes both collaborative work and time to complete tasks individually. Problem-based learning promotes autonomous learning, self-assessment skills, planning time, project work, and oral and written expression skills. According to a July 2020 article from the Hechinger Report, problem-based learning has gained tremendous momentum, because it allows students to work more freely and at their own pace — a key advantage when learning remotely. In problem-based learning, the content and skills are organized around problems, rather than as a hierarchical list of topics. It’s also inherently learner-centered because the learner actively creates their own knowledge as they attempt to solve the problem.
Putting the “Problem” into Practice
As former English teachers, we both understand the challenge of putting new professional learning into practice. For teachers who need a refresher on how to design a problem-based learning experience for their students, Problem Based Learning: Six Steps to Design, Implement and Assess breaks down the steps to move PBL into practice as follows:
To help put these problem-based steps into perspective, we can look to our recent work with partners from a high school in the South Bronx. The chemistry team there decided to use an anti-racist lens while addressing a problem that was very real to their students — fireworks. During the summer of 2020, there was a record number of firework incidents in New York City. According to an article in the New York Times, the city received over 1,700 fireworks complaints in the first half of June alone. Our partners used this problem as an opportunity for students to research fireworks from multiple lenses, and imagine how they might present their findings and recommendations to local officials. After all, shouldn’t New York Governor Andrew Cuomo hear from high school students in the Bronx about the effects fireworks have on their communities? Here’s what the framework might look like in this example:
From here, we can imagine the possibilities for this framework, considering how students might address the underlying problem from different perspectives and content areas:
Teaching and learning throughout a global pandemic has presented more than its share of challenges. Out of necessity, tremendous innovation has taken place with the use of technology, pedagogy, and curriculum. With problem-based learning, we can continue this innovation in our classrooms, offering our students opportunities to solve real world problems, demonstrate critical thinking, and collaborate with their peers. We would love to hear what problem-based learning tasks you are designing for your classrooms!
Writing for publication can create awareness, raise social consciousness, and provide students with essential life skills.
By CRISTINA ROMEO COMPTON, JEN DECERFF, and SHERRISH HOLLOMAN
When a student writes for publication, there is a shift in the dynamic between the student and their work. Picture yourself asking a student whether or not they spent a significant amount of time on their writing, only to have them respond, “Why would I spend time on it? It’s just for you.” In contrast, consider a student, who previously considered himself anonymous, telling his teacher, “Mr. Nick, I’m famous now!” after the book he co-authored with his classmates was published. Two very different reactions to a writing experience. How do we understand these two contrasting responses from young writers? Founded in 2002, the Student Press Initiative (SPI) was designed to develop, foster, and promote writing across the curriculum through student publication, and revolutionize education by advancing teacher leadership in reading and writing instruction. Students transition from “writing for their teacher” to writing for an audience of their choice. To date, SPI has published over 850 books representing the original writing of over 12,000 students. SPI’s core values — project-based instruction, real-world authorship, community of learners, and celebrating student voice — resonate throughout these books. The grounding of these values raise the bar for what, how, and why students write.
Project-based instruction
We believe in using publishing for a real-world audience as a means to design and shape curriculum and expectations, as well as promote student engagement. We employ a backwards-planning model, where a final product is used to form an infrastructure for classroom instruction and activities. Through inquiry of the specific requirements and expectations of each project, teachers and students can better articulate the behaviors, artifacts, and customs necessary for the successful completion of the project — and being that publishing a book is a shared experience, students work together to support and encourage one another in new and powerful ways. Publication projects help to shape the culture, rituals, and routines that take place in the classroom. At the start of a project, a large calendar often overtakes the walls of a classroom, and teachers and students work together to identify the genre, audience, and purpose of their project, as well as establish details and deadlines. This helps establish a strong sense of community and collaboration. This is project-based learning at its best! 
Real-world authorship
Real-world authorship shapes our approach to teaching and learning. Whether the audience is a class of incoming freshmen or first-year teachers in training, we work to connect young writers with actual readers. In the SPI model, classrooms become publishing houses in which teachers and students collectively shape an editorial vision. By exploring questions, issues, or concerns that exist in the world, their community, or within a specific content area, teachers and students collaborate to define a meaningful genre, theme, and audience. Writers then work to understand the expectations of their audience as they craft pieces with real readers in mind. No matter the content, there is always a real-world model that can demonstrate student learning with panache and voice that will engage readers. Through participation in a publication project, students develop skills and processes similar to those of professional authors. Students are supported through pre-writing and a gathering of ideas, drafting while consistently revising and editing, and finally, publishing, where they format and polish their writing to prepare for publication. Students experience “real” expectations and deadlines for publishing their book. Through these experiences, a strong sense of excitement, energy and urgency emerges.
Community of learners
SPI challenges traditional notions of “experts” in the classroom. Inspired by the work of Lave and Wenger (1996) and what they call “communities of practice,” we aim to cultivate students’ sense of expertise as writers by engaging in processes such as thoughtful inquiry of mentor texts, peer review, and peer editing. Through such processes, teachers and students work to establish a community of writers, consisting of many experts and many resources for learning and growing as authors. We encourage teachers and students to engage with a variety of texts as they begin to define qualities and attributes of powerful writing. As students learn the skills needed to write successfully, they also become experts in the project’s central theme as they read mentor texts, break genres down into smaller components, and ultimately, craft pieces that represent their learning and culminate in a final publication. A project designed around an in-depth genre study and inquiry invites students into a shared experience, and allows teachers to craft a thoughtful curriculum that addresses specific content and skills.
Celebrating student voice
Every student has a unique voice. Rather than celebrate the work of select students, we aim to celebrate the work of all students, using publication and celebration as a way to leverage and encourage participation. We believe every project should culminate in celebration — whether teachers and students decide to host a large-scale public reading at a local bookstore, smaller readings at locations such as their own school auditorium or classroom, or virtually with classmates, families, and friends. Celebrations — no matter their size or format — are powerful and rewarding experiences, and allow students to proudly share their writing with their community.
Writing can serve as a tool for creating awareness, raising social consciousness, and providing students with essential life skills. Our core values change the perspective and perception of writing for students around the world. These values, deeply embedded in our publications, reflect best practices for teaching writing in the 21st century, and help prepare students to succeed in lifelong learning.
To learn how you can partner with the Student Press Initiative and bring your students' writing to life, please reach out to us here.
Using Invitations to Create
Engaging students in the reading of classic texts can be difficult, particularly when teaching and learning is happening remotely. Invitations to Create reinvigorate students — and teachers! — through project-based, collaborative curricula developed around challenging texts, ultimately increasing student engagement and building classroom community in the process. WHAT'S IN AN INVITATION? If a prompt is like a camera lens, pulling your task into focus, an invitation is like a colorful string you can’t resist pulling to see what happens next. Writing an invitation for the reader to connect with a text offers them an opportunity to reflect, analyze, and synthesize the text at hand. 
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The Center for Professional Education of Teachers (CPET) at Teachers College, Columbia University is committed to making excellent and equitable education accessible worldwide. CPET unites theory and practice to promote transformational change. We design innovative projects, cultivate sustainable partnerships, and conduct research through direct and online services to youth and educators. Grounded in adult learning theories, our six core principles structure our customized approach and expand the capacities of educators around the world.
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