BY CRISTINA ROMEO COMPTON

​Project-based learning is a widely used term in education. Although many educators have a general understanding of what it means, it’s often met with uncertainty and apprehension. 

A simple Google Search of “project-based learning” results in 10 pages of articles or blogs, written by various organizations, institutions, and individuals. For instance, cultofpedagogy describes project-based learning as a combination of standards, best practices of UBD (understanding by design), and formative assessments. ASCD describes a project as meaningful if it fulfills two criteria: that students "feel the work is personally meaningful, as a task that matters" and that the project fulfills a “meaningful purpose.” Edutopia describes project-based learning as learning that tells a story. 

Throughout my 15 years of teaching and coaching, I’ve seen varying interpretations and implementations of project-based learning myself, which have been further complicated by the move to remote and blended learning environments. For educators who are working with packaged curricula, it can be especially difficult to see the opportunities available for introducing PBL in classrooms. But focusing on the core components of this work can support us in establishing engaging, meaningful, and doable project-based learning experiences for our students. 

Components of project-based learning

​One of the most well-known and admired institutions when it comes to project-based learning is the Buck Institute. They offer what I think are very helpful criteria to inform what project-based learning can look like: 

​In line with much of the graphic, our K-12 coaching team believes that projects are a wonderful way to help students cultivate 21st century skills, focus on a pressing topic or issue, develop their identity as readers and writers, and engage in a writing process that involves extensive feedback, revision, and reflection on their learning. We believe the pedagogy of project-based learning is about: 

• Beginning with a driving question or challenge: What is a pressing topic, issue, or problem that we are thinking about? 
• Revolving instruction around inquiry into an essential topic: How can the driving questions serve as a lens to read, write, research, gather, and explore? 
• Incorporating student voice and choice: What are the ways in which students are a part of the design, the driving questions, the topics and themes? 
• Approaching essential skills from multiple perspectives: What interdisciplinary connections could (or should) we be making? 
• Integrating teacher and peer feedback and revision: How and when are we creating a community of learners that supports one another? 
• Concluding the project with a celebration, ideally public: How are we going to celebrate the learning and share it with a wider audience? 

Now that we’ve laid out some of the basics, we can investigate what project-based learning might look like in action. The questions above can help inspire task revision and allow you to incorporate project-based learning into pre-packaged curricula, without starting from scratch.

Creating relevant, meaningful tasks

Recently, I partnered with a school in Brooklyn to support them as they designed and reimagined assessments for online learning. As an elementary school, they had adopted a packaged curricula for English Language Arts instruction. My goal was to help them make existing tasks and assessments more engaging and relevant for students, and support them in redesigning the tasks as they were written in order to infuse elements of project-based learning — without compromising rigor. 

We began with a first grade writing task that focused on persuasive reviews based on favorite places, foods, etc. To begin revising this task, we started by examining three important questions, informed and inspired by the Buck Institute: 

• Is it engaging?: Will my students enjoy it? Does it allow them choice? Does it consider modifications of the task for my students? 
• Is it meaningful?: Does it have a real audience and purpose? Is it relevant? Does it reflect real world goals and skills? 
• Is it doable?: Do I have all the resources I need, the time, the considerations? What might I have to teach online that I didn’t consider when teaching in person? This last question was particularly important at the time, given the swift transition to online learning, and the fact that teachers and students had limited access to materials, resources, and technology. 

We used these questions to guide our analysis and revision, referring back to the original task:

• Is it engaging?: Ideally, it is offering students choice, by allowing them to choose what they’d like to review.
• It is meaningful?: As it’s written, the purpose and audience for this task is unclear. 
• Is it doable?: Due to some limitations with remote learning during a global health crisis (students would be unable to participate in field trips, conduct observational research at various locations, etc.), we concluded that we might need to scale down the list of possible topics to help focus what students could reasonably review. 

Turning the task into a project

Now that we have been able to identify the basic possibilities and challenges with this task, we can continue on to revision, and begin to shift our original task into a project. When it comes to developing authentic and meaningful projects, we like to turn to a promising practice called GRASPS. This stands for:

G: What is the goal of the project? 
R : What is the role of the student? 
A: Who is the audience? 
S: What is the structure of the writing? 
P: What is the purpose? 

In conjunction with our earlier questions, the GRASPS framework is a helpful tool in redesigning tasks and ensures that our revisions are clear. In our example, the responses look something like this: 

• Project goal: Craft persuasive reviews focused on the following topics/ideas: 1) best at-home foods/recipes, 2) best games to be played with family members, and 3) best spaces/places to see in your neighborhood. 
• Student role: Expert reviewer 
• Audience: Reviews will be read by peers 
• Structure: Students will submit reviews in the form of essays 
• Purpose: To share ideas for how to have fun and stay safe during the pandemic

Equipped with these revisions, we can now more easily shift the original writing task to one that is project-based, and understand how we can introduce these ideas to students. This not only generates excitement for students, but teachers as well — our partners in Brooklyn were eager to plan and implement this project within their classrooms, and were excited about the additional possibilities for creativity. 

​What I hope is evident throughout this process is that project-based learning can have a variety of entry points — whether you’re teaching remotely or in-person, creating your own projects, or reimagining pre-packaged curricula. Regardless of your situation, recognizing how instruction can be meaningful, relevant, and doable — even with the current parameters of teaching and learning — is possible. 

TAGS: CRISTINA ROMEO COMPTON, PROJECT-BASED LEARNING, WRITING

By CRISTINA ROMEO COMPTON


When you’re caring for children who are participating in remote learning, it can be challenging to identify and understand their progress and growth as readers. You’re likely wondering: Am I doing this right? Are we making progress? How will I know? When children are in the classroom and engaged in in-person learning, the responsibility for these questions largely lies with their teachers. However, the new normal for teaching and learning requires equal — if not more — participation from parents, in order to support and ensure the advancement of students’ reading skills. 

Given how busy we are trying to balance our own work responsibilities along with the needs of our children, it can often feel easiest to default to tools like reading comprehension quizzes, multiple choice tests, or even worksheets to help recognize and assess reading progress at home. While these measures can be helpful, they certainly don’t tell the whole story. We could be missing out on identifying areas of growth and celebration, as well as a robust understanding of our children’s areas of struggle.

But there are promising — and practical — strategies that parents can utilize to help monitor and track the growth of their children's literacy skills. Don't feel as though you need to create your own assessments, rubrics, or projects to achieve this — that is, unless you have the time, capacity, and energy! Instead, consider some quick, informal strategies to monitor students’ growth. These strategies can tell you a lot about a child’s reading behaviors, habits, and progress. 

Habits & behaviors of good readers

In her book, 7 Habits of Highly Effective Readers, Joanne Kaminski explains, “Kids who are highly effective readers and score high on their state exams seem to have similar habits.” She goes on to explain that she has seen these habits in her own children as well as children she’s taught and tutored. The seven habits she describes are: 
   

1. They love listening to books
2. They have books everywhere 
3. They know how to pick out “just right” books
4. They read often 
5. They read for meaning 
6. They like to read aloud 
7. They use the most frequently taught comprehension strategies 

This list can be helpful to parents as they look for evidence of their children's reading behaviors. When these behaviors are present, you can feel good that your young learners are on the right track! 

As we level up our understanding of a child's reading progress, we can turn to Mosaic of Thought: The Power of Comprehension Strategies, in which the authors Ellin Oliver Keene and Susan Zimmermann outline a list of habits that are more reflective of the kind of work students are doing while reading, including: 
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• Determining what is important
• Drawing inferences
• Using prior knowledge 
• Asking questions 
• Monitoring comprehension and meaning
• Creating mental images

For parents, a list like this can feel daunting. You may not know how to look for these specific skills, and are likely asking yourself questions, such as: How do I know they are inferring? How can I prompt them to determine what’s important? Identifying skills that children are exhibiting during reading is often left to teachers. 

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Knowing what to look for

There are ways to simplify the identification of reading habits and skills so that you can determine what children are doing before, during, and after their reading. We can break down more complex reading habits into observable actions, behaviors, or concrete examples that signify the deeper learning that is taking place. When it comes to reading, we can look for the following: 

Stamina
If your child is reading for long(er) periods of time, this is great! Interest and stamina are very important, especially as books increase in demands and complexity. 

Fluency
Have your child read to you! This can be a great way to monitor fluency, decoding, and self-correction strategies on the part of students. 

Comprehension and thinking skills:
A simple set of questions can be very telling when it comes to a child’s predicting, inferring, and comprehension skills. You can use these same questions each time they read, and students can either answer for you, or as part of writing and drawing exercise. Here are some suggestions for what you can ask a child before, during, and after they read: 

• Before reading, you can ask what questions: “What do you think the story/book will be about?” 
• During reading, you can ask what and why questions: “What’s happening in this picture?” “What did you learn?” “Why do you think?” “Why did ____ do that?” and “How do you know?” This last question is a particularly good option for supporting children in explaining their thinking! 
• After reading, you can ask how questions: “How did the character(s) solve their problem(s)?” “How did the story connect with your predictions?” 

Thoughts about reading
Talk to your child about what they are reading. Ask them about the kinds of books they are reading, what they're enjoying (or not enjoying), and why. This can help you gain insight into your child’s general attitude toward reading, the kinds of books they gravitate toward, and the types of books that they find easiest to read.

When you've got young learners in your home, you deserve a lot of credit for balancing work, at-home learning, childcare, and household tasks. What you’ve been able to do during this unique time has been nothing short of remarkable. Remember that when it comes to supporting learning at home, we can monitor a child's reading progress with simple strategies that make the process feel useful and manageable for everyone involved. Start with a strategy that feels feasible and accessible, and build from there. Happy reading!
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​TAGS: ASSESSMENT, CRISTINA ROMEO COMPTON, READING, REMOTE LEARNING

By CRISTINA ROMEO COMPTON, JEN DECERFF, and SHERRISH HOLLOMAN

​When a student writes for publication, there is a shift in the dynamic between the student and their work. Picture yourself asking a student whether or not they spent a significant amount of time on their writing, only to have them respond, “Why would I spend time on it? It’s just for you.” In contrast, consider a student, who previously considered himself anonymous, telling his teacher, “Mr. Nick, I’m famous now!” after the book he co-authored with his classmates was published. Two very different reactions to a writing experience. How do we understand these two contrasting responses from young writers?

Founded in 2002, the Student Press Initiative (SPI) was designed to develop, foster, and promote writing across the curriculum through student publication, and revolutionize education by advancing teacher leadership in reading and writing instruction. Students transition from “writing for their teacher” to writing for an audience of their choice. To date, SPI has published over 850 books representing the original writing of over 12,000 students. SPI’s core values — project-based instruction, real-world authorship, community of learners, and celebrating student voice — resonate throughout these books. The grounding of these values raise the bar for what, how, and why students write. 

Project-based instruction

We believe in using publishing for a real-world audience as a means to design and shape curriculum and expectations, as well as promote student engagement.

We employ a backwards-planning model, where a final product is used to form an infrastructure for classroom instruction and activities. Through inquiry of the specific requirements and expectations of each project, teachers and students can better articulate the behaviors, artifacts, and customs necessary for the successful completion of the project — and being that publishing a book is a shared experience, students work together to support and encourage one another in new and powerful ways. 
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Publication projects help to shape the culture, rituals, and routines that take place in the classroom. At the start of a project, a large calendar often overtakes the walls of a classroom, and teachers and students work together to identify the genre, audience, and purpose of their project, as well as establish details and deadlines. This helps establish a strong sense of community and collaboration. This is project-based learning at its best! 
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Real-world authorship

Real-world authorship shapes our approach to teaching and learning. Whether the audience is a class of incoming freshmen or first-year teachers in training, we work to connect young writers with actual readers. In the SPI model, classrooms become publishing houses in which teachers and students collectively shape an editorial vision. By exploring questions, issues, or concerns that exist in the world, their community, or within a specific content area, teachers and students collaborate to define a meaningful genre, theme, and audience. Writers then work to understand the expectations of their audience as they craft pieces with real readers in mind.
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No matter the content, there is always a real-world model that can demonstrate student learning with panache and voice that will engage readers. Through participation in a publication project, students develop skills and processes similar to those of professional authors. Students are supported through pre-writing and a gathering of ideas, drafting while consistently revising and editing, and finally, publishing, where they format and polish their writing to prepare for publication. Students experience “real” expectations and deadlines for publishing their book. Through these experiences, a strong sense of excitement, energy and urgency emerges. 
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Community of learners
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SPI challenges traditional notions of “experts” in the classroom. Inspired by the work of Lave and Wenger (1996) and what they call “communities of practice,” we aim to cultivate students’ sense of expertise as writers by engaging in processes such as thoughtful inquiry of mentor texts, peer review, and peer editing. Through such processes, teachers and students work to establish a community of writers, consisting of many experts and many resources for learning and growing as authors. 

We encourage teachers and students to engage with a variety of texts as they begin to define qualities and attributes of powerful writing. As students learn the skills needed to write successfully, they also become experts in the project’s central theme as they read mentor texts, break genres down into smaller components, and ultimately, craft pieces that represent their learning and culminate in a final publication. A project designed around an in-depth genre study and inquiry invites students into a shared experience, and allows teachers to craft a thoughtful curriculum that addresses specific content and skills.
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Celebrating student voice
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Every student has a unique voice. Rather than celebrate the work of select students, we aim to celebrate the work of all students, using publication and celebration as a way to leverage and encourage participation.

We believe every project should culminate in celebration — whether teachers and students decide to host a large-scale public reading at a local bookstore, smaller readings at locations such as their own school auditorium or classroom, or virtually with classmates, families, and friends. Celebrations — no matter their size or format — are powerful and rewarding experiences, and allow students to proudly share their writing with their community.
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Writing can serve as a tool for creating awareness, raising social consciousness, and providing students with essential life skills. Our core values change the perspective and perception of writing for students around the world. These values, deeply embedded in our publications, reflect best practices for teaching writing in the 21st century, and help prepare students to succeed in lifelong learning. 

​To learn how you can partner with the Student Press Initiative and bring your students' writing to life, please reach out to us here. 
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​TAGS: CRISTINA ROMEO COMPTON, INITIATIVES, JEN DECERFF, PROJECT-BASED LEARNING, SHERRISH HOLLOMAN, STUDENT PRESS INITIATIVE, WRITING

By CRISTINA ROMEO COMPTON


​Distance learning can be challenging, especially for our young, emerging readers. In the classroom, young students are exposed to print-rich environments, and are supported and guided through a multitude of literacy activities such as phonics, guided reading, shared reading, and direct reading instruction. Now that learning is taking place in the home, there are growing concerns about the deficits young students will experience, particularly when it comes to reading. What can we do? How and when should we do it? And how can parents prioritize reading practices at home? 

As a Master’s student, the focus of my thesis included understanding and improving the reading habits and attitudes of my third grade students. I launched my study by administering a survey, and provided them with a number of statements including, I like to read, I prefer reading to watching TV, and I read more than I watch TV. I had students read each statement, and then circle an emoji that best matched their feelings about the statement (ranging from positive to negative).

My students’ responses, along with my observations, were pretty discouraging. I noticed many of my students didn’t want to read, or would read for a few minutes before putting their book down and saying, “I’m done.” I was determined to do something. In the next phase of my work, I reached out to parents of those students with particularly negative responses to the survey, and asked if they would be willing to participate in my study. Their participation included signing a contract in which they agreed to engage in three specific literacy practices at home: reading aloud, shared reading, and independent reading. 

It is these three literacy practices that I think parents should prioritize, as I believe they are simple, effective, and particularly helpful when it comes to supporting reading development outside of the classroom. 

Reading aloud

Reading aloud promotes fluency and exposure. Exposure plays a significant role in reading development and cultivating a positive attitude towards reading. The parents who participated in my study agreed to read to their children for 20 minutes a day, at least three times a week. I would encourage all parents to do the same. If you can do nothing else, read aloud to your child! Expose your children to as many books as possible, and regularly engage in read alouds. This can be incorporated into a lunch break, added to a bedtime routine, or even occur first thing in the morning — whatever works best for you. If this feels too difficult, there are many read aloud resources available online that can support you, such as Epic, which offers a massive digital library for children aged 12 and under, and YouTube, which offers free access to a variety of voices and titles to choose from.

If you’re ready, interested, and able to step up your read aloud game, you can engage your children further by asking simple questions: What do you notice? What does this make you think? What are you learning about ____? This kind of work promotes comprehension and inferencing skills.

The tried and true think-aloud protocol — in which you share what you’re thinking and what you’re predicting — can also be a powerful model for children. I even do this with my 8-month-old. As her mother I know she’s brilliant (of course!), but can accept she is clearly too young to do deep thinking work on her own, so I point to the pictures and the words in each book, narrating what they are, for as long as she lets me. It’s never too young to cultivate a love for books! 

Shared reading

Fountas and Pinnell define shared reading as a reading experience in which children and their teacher engage in multiple read alouds of an “enlarged version of a text that provides opportunities for students to expand their reading competencies. The goals of the first reading are to ensure that students enjoy the text and think about the meaning. After the first reading, students take part in multiple, subsequent readings to notice more about the text.” From there, students discuss the text, and parents or educators determine next steps for support.

Ideally, parents would be able to put on their teacher hat while reading with their children, tracking and pointing to the words together, sounding words out along the way. Shared reading like this can help improve the rate at which children read, increase their fluency, and add to their enjoyment for reading.

Don’t be discouraged if this feels outside of your reach. Shared reading can also mean simply engaging in shared reading time, without any additional components. Each family member can select a text of their choosing, and read near each other. Whether this happens first thing in the morning, as you read the newspaper or your favorite magazine and enjoy a cup of coffee, or before bed, as you are winding down the day and in search of some quiet time. Being exposed to others who are reading can have a positive effect on a child’s attitudes and habits around reading, as it did for my young readers. 
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​Independent reading

The final activity in my study involved an agreement from parents to provide quiet and uninterrupted time and space to engage in independent reading for at least 20 minutes a day. One of the biggest challenges to reading at home, according to my third graders, is the lack of space and opportunity to read alone. Children are often sharing rooms, household tasks and chores need to be done, and child care responsibilities need to be managed. This, I’m sure, has only been exacerbated during the COVID-19 crisis, as everyone is now living and working from home. Home can feel even more chaotic than before, and quiet time can be a challenge. However, if you can find a calm space where children can engage in independent reading even for even small periods of time each day, it can have a positive impact on reading abilities. This space might be the corner of a room, on a bed, or even in the bathroom. We have to get creative! 

If you’re ready to level up your independent reading game, task your child with practicing one simple strategy while they read. This might include asking them to jot down questions as they read, notice and note (What do you notice? What does this make you think?), or it could involve a challenge to find words that start with certain letters or that contain certain blends, such as Bl or Cr. It doesn’t have to be complicated, just one strategy that will allow children to practice on their own, and then share with you. 

The last tip I’ll leave you with is: if it feels like these strategies aren’t working for your readers, be prepared to throw all these strategies to the wind. Put the book down, and try again later. This is a challenging time — stress and emotions are running high — and we all know that the dynamic between parents and children, when it comes to learning, can be difficult and unpredictable. Some days our children want our help, and sometimes they don’t want anything to do with us! Give yourself some grace and flexibility. Trust that what you’re doing is enough, and remember that one day will not create lasting, negative implications for your child’s reading abilities. Be kind to yourself and to your children, and remember that tomorrow is another day.

​TAGS: CRISTINA ROMEO COMPTON, LITERACY, REMOTE LEARNING

By CRISTINA ROMEO COMPTON

Student writing is often read by one person (a teacher), and for one reason (a grade). But what if it could be different? 

Through our Student Press Initiative, we seek to engage students in writing projects that culminate in print-based publications. These publications are designed for specific audiences, shaped around specific genres, and become widely accessible to their school community and the general public. This process not only helps students to establish their voices as writers, but helps revolutionize education by advancing teacher leadership in reading and writing instruction. 

Raising the bar for student writing

Though each publication is a unique reflection of its student authors, the five phases of our publication process remain constant:

• Laying the groundwork: Crucial for identifying the genre, audience, and purpose for a publication. The decision around audience is an important one, as it informs the style, tone, and language of a publication, as well as the level of detail students will need to use to best communicate with their readers. Equipping students with the tools they need to write for an authentic audience allows students to gain skills and perspectives that will serve them beyond the classroom. As James Moffet states, “…One of the indications of maturity is the ability of a speaker to predict what different receivers will need to have made explicit for them and what they will understand without elaboration.” (Moffett, Detecting Growth in Language, 1992, p 21). 

 

• Project planning: Focused on scaffolding, planning, and studying mentor texts that will inform the trajectory of your project, and getting acquainted with a critical component of publication projects: the production calendar.

 

• Supporting the writing process: An exploration of the importance of backwards planning, and how it can inform your curriculum and instruction. Together, we examine promising practices for supporting your students with the main phases of the writing process, including: pre-writing, drafting, and revision.

 

• Production: Once students have created a piece of writing, it’s important to help them begin the production process, both individually and collaboratively. In this phase, we support students and teachers in preparing polished writing for a larger audience, and explore best practices for providing feedback to students.

 

• Going public: How can students prepare to share their work? In this final phase, we explore options for participating in public readings and hosting book release celebrations.

Publication in action: personal narratives from the Bronx

This spring, we supported 9th and 10th grade Special Education students at the Bronx High School for Business (BHSB) through this process. Their teacher was eager to introduce a project that would provide her students the opportunity to share a meaningful experience through the writing of a personal narrative or poem.

With this in mind, our coaches worked alongside the teacher and her students to facilitate a conversation about the audience for their project. We asked questions such as:

• Who would enjoy reading these narratives and poems?
• What do we want the readers to gain?
• What do we want the readers to know or learn?

After careful consideration and deliberation, these young authors felt strongly that they wanted to write to younger members of the Bronx Business community — primarily incoming students and siblings — in an effort to offer meaningful advice. Over the course of the project, students at BHSB were able to hone and refine their writing, particularly as it relates to communicating with their chosen audience. They were able to revise their writing to include more colloquial language and tone, which they recognized would be most effective for communicating with their young and familiar audience. 

As a result, they published The Barriers We Faced, The Bridges We Built. This collection highlights the obstacles many BHSB students have encountered — moving to a new country, struggling in school, and disagreeing with family and friends. Though many of these obstacles seemed insurmountable, these young authors were able to meet them head-on with persistence and resilience, building the bridges necessary to overcome their personal barriers. 

​TAGS: CRISTINA ROMEO COMPTON, PROJECT-BASED LEARNING, STUDENT PRESS INITIATIVE, WRITING

Each year, our Student Press Initiative publishes 20+ books in collaboration with student authors across the world. The creation of published work is no small feat, and we could not see these projects through to fruition without our team of publication coaches, who dedicate their time and expertise to each and every written piece. Each member of this team comes to us with deep content and pedagogical knowledge, and a passion for literacy, especially when it comes to creative writing.

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MEET THE TEAM